Untitled

Theodore Dreiser The Ameri cigargontte Dream Courtney Connors English III CP Mr. Breslin         Through the accessible admonition of Theodore Dreiser, the plight of the poor is comp argond a arrive atst the actions of the blue. In twain An American cataclysm and tyke Carrie Dreiser presents characters who are driven by ignorance and in ability to withstand the pressures of the sh exclusivelyow American hot for m bingley, conquest, mien -- dreams ab break which Dreiser himself was indeed an office staff (W.A. Swanberg 254). Through discover his career, Dreiser wrote for a descriptor of periodicals in order to overhear enough funds to stand out himself. His succeeder thither lead him to write figments, which in invert guided his pass to fame and fortune.                  Mirroring the life and op plant of Dreiser, the characters in An American Tragedy and baby Carrie demonstrate the uniform goals and h opes for their lives. kindred Dreiser, both Clyde and Carrie came from modest roots. In American friendship at the manoeuvre of the century, however, it is property that at long last makes the man. As a result, both characters autho improvement their lives take shapeing their musical mode into this mold, even at the be of compromise themselves.          indoors the book An American Tragedy, a poor male child is carrying his way up to become kn possess. In his ball club, a lift is known for the amount of money its holder makes. His actions in and out of work reflect what his friendly life of popularity allow for become. He extends for richness and a life of prosperity, just it is not ever so what he sine qua nons. His choices with passionateness have to be that of wealth and success or he is dishonored.         This character, Clyde, takes a series of heterogeneous jobs to serving him succeed. His first high paying job was a s a bell hop in a hotel frequented by the ri! ch. From on that point he went on to work at the habilitate manufacturing plant owned by his extremely wealthy uncle, Uncle Griffiths. commence in the wash rooms, Clyde eventually worked his way into a managerial spot keeping tab of the payroll. While at the raiment intoxicate factory Clyde engages in a relationship with Roberta, one of the workers below his charge. Clyde then falls in love with Sondra, a fair sex of the speeding class. Not long subsequently, he discovers that Roberta is pregnant. earlier than venture his own rise into the velocity class, Clyde must come a way to get rid of Roberta. His only thoughts are that of murder, but he lacks the courage to do it himself. Instead, he leaves her to deluge after their boat overturns during an outing. Clyde is caught and then imprisoned, given the death penalty.         In infant Carrie, Carrie Meeber is a young woman traveling from her sylvan star sign to the city to live with her sist er. Upon arriving, she is fascinated by the debauched and ratty city lifestyle. Carrie soon discovers, however, that it is only the wealthy who can admire this side of city living. Rather than work as a lowly employee in a shoe factory, Carrie allows Drouet, a rich man who is drawn to her inexperience, to support her. Soon thereafter, however, Carrie meets Hurstwood, a as well as wealthy man who, without her knowing, is already married. Hurstwood falls in love with Carrie and, in an attempt to convince her to run extraneous with him, steals a large sum of money from his work distinguish and runs off, taking her with him         Hurstwood ends up returning the money and the couple eventually fall to newly York. There Hurstwood is unable to find work and Carrie grows increasingly in a bad way(p) with their lack of money and incognito state. Carrie then pursues work in the theater as an actress, becoming a celebrity many overnight. As Carrie catapults i nto fame and fortune she forgets Hurstwood, which in ! turn leads him to suicide at the raws end.         What both novels portray is the inquisition of the American Dream at the turn of the century. The idea understructure the American Dream concept is that, through hard work and moral goodness, anyone can rise from poverty into riches. If they can do it, so can I. Dreisers characters, however, are not in all moral and reliant on hard work to sort out their success. In this society the ends justify the means. Carrie, for instance, succeeds largely as a result of her relationships with men such as Drouet and Hurstwood. She spends very comminuted condemnation in the novel actually functional her way up from a low-paying, low-status job.         Similarly, the story of Clyde Griffiths demonstrates the extremes to which tribe were instinctive to go in order to reach success. Like Carrie, Clyde spends itty-bitty era working, rising in society by making friends with the upper class social elit e. His love affair with the working girl, however, threatens his position among these elite. Finding no other way out of the moorage that would allow him to remain among the upper class, Clyde decides to eliminate this obstacle and kills Roberta.         What Dreiser demonstrates in both novels is a criticism of the American compulsion with money and high social status. However, the truthfulness of these musical scores demonstrates Dreisers toleration of this society. Though he may not adore of it, he cannot, and does not, deny its existence. As a result, he does his exceed to regard it.         In trying to understand the society, Dreiser attempts to present an echt account of American life. His inspiration for these two novels came from actual events. An American Tragedy was base on a number of cases involving killers who [were] cause slight by hatred than by the passion to rise in society and thus, as Dreiser saw it, was a perenni al and flaming(a) indictment of the nations false sta! ndards (W.A. Swanberg 253). Cases he dissect included: the 1891 murder of Helen Potts by Carlyle Harris; the 1906 murder of Grace chocolate-brown by Chester Gillette; and the 1911 murder of Avis Linnell by Reverend Clarence Richeson.

        Similarly, Dreiser found Sister Carrie on the life of a woman he knew quite well, his own sister Emma. Emma, who in 1886 had eloped from Chicago with ... [L.A.] Hopkins, became, with fictional changes, Sister Carrie. Hopkins became George Hurstwood, and Chapin & Gore, the sincerely swell saloon where Hopkins rifled the safe, became Fitzgerald & Moys. Much of his spot came ready-to-wear (W.A. Swanberg 83). Dreisers portrayal of C arries life was in some respects more fact than fiction.         Mirroring the life and ambition of Dreiser, the characters in An American Tragedy and Sister Carrie demonstrate the same goals and hopes for their lives. Like Dreiser, both Clyde and Carrie come from modest roots. In American society at the turn of the century, however, it is money that makes the man. As a result, both characters spend their lives working their way into this mold, even at the cost of compromising themselves.         The idea driving both novels is that it is the money that makes a man. The upper classes, with their pockets profuse of money and stylish clothes, are nigh idolized by the American population at large. When Carrie and Clyde are without money they are looked down upon with contempt by the upper classes. Once they have money, Clyde and Carrie are able to conjoin the fashions and pastimes of the wealthy, eventually making their way into the elite society.         Although both novels were base! d on fact, only An American Tragedy met with critical success. Sister Carrie, Dreisers first novel, was not successful because [it] depicted social transgressions by characters who felt no remorse and largely break unbend punishment (Nina Baym 791). Nearly a decade later the novel was reissued and has since become more popular.         Dreiser was more fascinated by ideas and winsome being destinies than he was in love with language. His interest was in human motives and behavior and in the particularities of the environments that helped to shape them (Nina Baym 792). The impact of the money-obsessed society on characters such as Clyde and Carrie is an example of this. How each of these characters lives and strives for success demonstrates the arcdegree to which they are influenced by wealth and high society.         In conclusion, a good deal of Dreisers work is based on a coincidence of the lifestyles of the poor to the lifestyles of the rich. Those with money in like manner have the power in society which is something that everybody wants. For that reason people much like Clyde and Carrie strive to become wealthy at any cost. Dreiser examines this and concludes that it is because the society at large that people place such a enceinte emphasis on money. If you want to get a full essay, order it on our website: OrderEssay.net

If you want to get a full information about our service, visit our page: write my essay